Back to course description TEXTBOOK PURCHASE REQUIRED Rhetorical Grammar: Grammatical Choices, Rhetorical Effects, 6th edition, by Martha Kolln and Loretta Gray, Longman Publishers (www.pearsonhighered.com). Compare prices online with ISBN 9780205706754, but delivery is slower and unreliable. Make sure that you have the SIXTH edition. Earlier editions are quite different. Order at least two weeks before the start date. OverviewIn this course, analysis is the most important aspect of most assignments. Often, you will be asked to change your prose in ways that may not improve it. The purpose is to give you material to analyze. I want to see you thinking about what happens when you manipulate prose. This thinking (analysis) shows you what you can do, should do, and shouldn't do. You will emerge from this course with a new set of skills with which to write cleaner, clearer prose. You will be able to consciously apply these skills at the sentence, paragraph, and essays levels. These applications give you a clear understanding of how grammatical choices affect the quality of your prose. Note about multi-step assignmentsIf you are new to multi-step assignments, I recommend following this process. - Read the assignment all the way through. Don't begin the assignment until you understand how all the steps fit together. If you don't understand how all the steps fit together, review the whole assignment with a parent or guardian. If you both do not understand, please message me.
- Perform the assignment. Most assignments are to be uploaded as one file. However, you may find it easier to perform some steps in a separate file and to copy and paste the results into the file to be uploaded. Title each step in the file (e.g., "Lesson 5 - FWA - Part 1"). Titles avoid confusion and error.
- Before uploading, review each step with a parent or guardian. Point to each step while the parent reads that step in the assignment.
In this first lesson, we are going to discuss sentence structure. Some questions we will explore include: What are the required elements of a sentence? How can complicated sentences be broken down into smaller parts? How can we combine sentence elements grammatically? Although as native speakers of English we instinctively know how to speak grammatically, as writers we can make errors if we don't fully understand how the parts of a sentence work together. For writers, another important issue is knowing how we can manipulate or play with these sentence elements to make our writing more lively. Varying our sentence structure can make our writing more rhythmic or emphasize certain information.
In Lesson 1, we discussed basic sentence structure, breaking sentences down into their essential elements. In this lesson, we will continue our analysis of sentences by examining two types of sentences and practicing ways to use them most effectively. Chapter 6 in Kolln's book focuses on brevity and subordination. When used thoughtfully, very brief sentences can be a powerful way to highlight an important point, especially when used in a paragraph with mostly long sentences. On the other hand, longer sentences are useful too. When writers add adverbials or dependent clauses to a simple noun phrase + verb phrase sentence, they can both highlight important relationships between ideas and manipulate the prose rhythm.
In this lesson, we are going to discuss ways to make your writing more cohesive. In doing so, we will first learn about something called the "known-new contract" and then discuss issues of pronoun case and reference. Have you ever had a teacher write "Awkward" on an essay? Have you ever needed to read another person's writing two or three times to understand the meaning? Violating the "known-new contract" or using pronouns incorrectly can make our writing vague and confusing to the reader. Even when our sentences are grammatical, they can still be awkward if they don't allow the ideas from one sentence to flow gracefully into the next or if they contain pronouns whose referents are unclear. Understanding grammatical issues empowers writers to make their writing graceful through cohesion.
In Lesson 4, we are going to focus on verb usage. First, we will work on using precise verbs and then we will explore verb tenses, working to gain a deeper understanding of each tense and also looking at problem areas for writers. A writer's prose becomes more powerful as he or she learns to use vivid, precise verbs more effectively. Studying verbs can also help writers improve clarity. Not only can a thorough understanding of verb tenses help writers avoid errors, it can also help writers avoid the conusion caused by ambiguous verb tense usage.
This lesson focuses on the passive voice. First, we will study the structural transformation from active to passive voice, and then we will analyze ways the passive voice can be used appropriately. Although many traditional grammar texts discourage the use of the passive voice, when used appropriately, it can become a tool that produces interesting rhetorical effects. Also, knowing how to use the passive voice effectively can make you a better reader. This knowledge can help you understand the subtleties of a writer's prose and also recognize when the passive makes writing unnecessarily wordy or impersonal.
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